Showing posts with label living. Show all posts
Showing posts with label living. Show all posts

Sunday, February 01, 2026

Surreal

Surreal 
At the turn of the century
it is a long way down
to the mind's I. A treehouse
chronicles my journey to this
lost continent, which requires
the amber spyglass to navigate.
When I arrive I am barely a
shadow of a man. There is
snow falling on cedars; through
the woods I hear the single hound
wailing for her hometown. After
twenty years at Hull House, she
mourns for that bastard out of
Carolina who left her tender
at the bone. I wander through
trees toward her cries and find
her. My journey ends across the
river, past the canal town. Before
crossing over, I ask her for
directions. "I don't know," she
replies. "I'm a stranger here myself."

-Kathryn Harper

Another Cento poem. The titles:

  • Turn of the Century (Kurt Andersen)
  • A Long Way Down
  • The Mind's I: Fantasies and Reflections on Self and Soul
  • Treehouse Chronicles: One Man's Dream of a Life Aloft (S. Peter Lewis)
  • The Lost Continent: Travels in Small Town America
  • The Amber Spyglass
  • Shadow of a Man
  • Snow Falling on Cedars
  • Through the Woods (H.E. Bates)
  • The Single Hound (May Sarton)
  • Bastard Out of Carolina
  • Tender at the Bone: Growing Up at the Table
  • Canal Town
  • Crossing Over (Ruben Martinez)
  • I'm a Stranger Here Myself: Notes on Returning to America After 20 Years Away

Saturday, January 31, 2026

There’s Always Looking After

There’s Always Looking After

A tree is a guardian angel.

Trees talk to us, they
whisper stories and secrets,
slip us clues to universal mysteries.
Do you see the forest, or the trees?
Sap murmurs up the trunk in spring. Listen.
The apple falls (not far from the tree), its
crisp honey tang for the taking. Notice
how the air changes when you approach
a woods; the fresh, spicy scent of leaves
and needles performing their gift of tonglen.
Handle limbs gently. Despite their
coarseness, trees are benign as babies.

Autumn. My favorite elegy. Red orange yellow
each color a note, a symphony of glorious
death. Gaia’s last hurrah before hibernation.

Glorious death. The nativity of Jesus in
Bethlehem was honored by his parents, wise
shepherds, angels — even animals. But not
one tree except for the remnant serving
as his crib. Look what happened to him.
Whereas Buddha, under a Bodhi tree,
received the gift of enlightenment.

Beware. Trees are destroyers. When touched
by lightning (not an angel), in a rhumba
with the wind, trees release limbs as
geckos lose their tails. They surrender
responsibility, abandon stability,
crush what lies beneath. A shard
of wood thrown by a tornado can kill you.

How many angels are there? They number
more than all the leaves on all the trees
since Big Time began. Earth — head
of a pin on which all trees dance.
Those trees, they krunk in a hot minute.
We just don’t see them. They move so fast.

A baby is born. A sapling takes root.
As roots grow, her neurons multiply.
They amputated the tree in our yard
the other day. Am I going to die now?

A tree is a livin’ thin’, wif it’s own
varmintality, expressed by it’s shape,
texture, locashun, seasonal variashuns,
shade/sun alterashun, th’ emoshuns it
invokes in th’ obsarver, th’ memo’ies
it stimulates in th’ obsarver. A tree
lives as long as a hoomin, o’ longer,
an’ faces th’ elements day-in an’
day-out. To sacrifice a tree is a kind
of euthanasia. A tree thet yo’ plant
today will outlive yo’, an’ affeck other
hoomins in th’ future junerashuns… but
will only be thar IF yo’ an’ yer projuny
own th’ lan’ on which th’ tree thrives.
Own SOME lan’, somewhar, an’ put trees
on it, an’ viset an’ watch them grow.

The ancient forests of knowledge
hidden in dusky, musty library stacks
have become my land. My mind, my tree
of knowledge, thrives. It is all I have.
On this moonless night everything
telescopes, clarifies. Brightness erupts
from inky black. The dark night of the soul
is really a form of enlightenment.

I fall on my knees, praying to No God.
The god of no. I sway in the wind, yearning
to be struck, to plummet, to become the abyss
that annihilates, that looks into me. Oh,
the ecstasy of descent! I cry for it.

Mindful One, she thinks too much. She dwells
inside her head, sips the ink of books too
often. For all her lofty talk about meaning
and nature, she lives indoors, estranged.
Reconciliation is possible. The priest
intones, you are dust and to dust you shall
return. So it shall be. A reunion.

Yes! A gorgeous reunion. A gorgeous death.
It shall be as it is, unless it is as it shall
be. Remember, nascentes morimur. The voice is
relentless, paralyzing. Death, inevitable from
the beginning of my existence. My destiny, our
destiny, is to become nothing.

Not so, whisper the trees. Willow weeps over my
rigid despair. A pine tree caresses my hair.
You do not become nothing. You become everything.

The body becomes a corpse. The corpse rots, feeds
maggots and beetles, enriches the soil. A squirrel
foraging embeds a nut, forgets it. The nut germinates.
A sapling grows, slowly. Outside of time. Watching over.
Witnessing the Mystery. There’s always looking after.

-Kathryn Harper

I wrote this poem 20 years ago, following this exercise from The Practice of Poetry:

This exercise comes from page 119 of The Practice of Poetry: Writing Exercises From Poets Who Teach, edited by Robin Behn and Chase Twichell. The goal of the exercise is to write a poem that includes these twenty suggesetions:
  1. Begin the poem with a metaphor.
  2. Say something specific but utterly preposterous.
  3. Use at least one image for each of the five senses, either in succession or scattered randomly throughout the poem.
  4. Use one example of synesthesia.
  5. Use the proper name of a person and the proper name of a place.
  6. Contradict something you said earlier in the poem.
  7. Change direction or digress from the last thing you said.
  8. Use a word (slang?) you've never seen in a poem.
  9. Use an example of false cause-effect logic.
  10. Use a piece of "talk" you've actually heard (preferably in dialect and/or which you don't understand).
  11. Create a metaphor using the following construction: "The (adjective) (concrete noun) of (abstract noun) . . . ."
  12. Use an image in such a way as to reverse its usual associative qualities.
  13. Make the persona in the poem do something he/she would not do in "real life."
  14. Refer to yourself by nickname and in the third person.
  15. Write in the future tense, such that part of the poem seems to be a prediction.
  16. Modify a noun with an unlikely adjective.
  17. Make a declarative assertion that sounds convincing but that finally makes no sense.
  18. Use a phrase from a language other than English.
  19. Make a nonhuman object say or do something human (personification).
  20. Close the poem with a vivid image that makes no statement, but that "echoes" an image from earlier in the poem. 

Tuesday, January 20, 2026

Self-Care in Political Chaos


Someone shared this clip from PBS with me: The surprising way to fight political exhaustion, in which sociologist Tressie McMillan Cottom talks about "agency" as a key to countering exhaustion from relentless horrible world news and politics. 

She's on point. It makes me think... if I'm standing still awhile, it starts to hurt and get heavy, my feet and hips ache, etc. But if I walk or move in some way, pain recedes. (I had a lot of retail jobs long ago.) Passive consumption of news forces us to stand and hold heaviness, which feels even MORE heavy because that's all we're attending to. I liked her term: agentic. 

This is why I've joined to volunteer with Action for Happiness, and why I've started making "little art" earnestly, on the regular, and why I'm returning to frequent entries here, and might even write poetry again. Since this post is public, I can't pretend I'll be a secret agent -- but I can be an agent for kindness. 

Thursday, January 01, 2026

This Year's Intentions

I took this photo at Maker Faire last fall. It's difficult to explain what this was, but people were invited to enter into this space of whirling light. It depicts how time feels to me. Soon enough we'll say good-bye to 2026. Here is what I aim for in my life practice.

Daily

  • I will continue to meditate daily for five minutes; it's the holy pause, and even brief episodes have a positive impact.
  • Each day I walk, at a minimum, 2,000 steps; given my sedentary job and life, it stuns me how few steps I could take if I don't make the effort. Last year my average was 4,835 steps (2.28 miles per day).
  • Read a book -- it requires deep attention.

Weekly

  • Make art. It can be small, quick, and simple. Or it can be elaborate.
  • Seek and invite spending time with my child, who is leaving in eight months.
  • Date night with Hub; this has vastly improved our connection in the past several years.
  • See clients -- my work, which I really enjoy.
  • Exercise four to five times a week, including strength training.
  • Write one blog entry.

Monthly

  • See friends!
  • Go on side quests with Hub.
  • Attend Open Studio with friends.

Yearly

  • Improve overall physical fitness, including shedding more weight.
  • Read at least 30 books.
  • Travel with Hub on a couple of trips.
  • Get my child moved to college.
  • Explore and create new community.
  • Attend a few Ecstatic Dances.
Throughout the year I will check in with myself to ensure I'm attending to these small projects that help me to live richly. 

Whetting My Appetite

Having received the gift of books as I usually do at Christmas, I decided to assemble my to-read pile. The four bottom books were gifts from the most recent Christmas. The other books I "shopped" from my library, because of course I have a collection of unread treasures. These are all non-fiction. I usually rely on serendipity and recommendations for my fiction choices. 

The top three books have been in the queue for several years. Many clients have mentioned the two Ruiz books as being helpful, and I'm curious to know more. The other book, Having Everything Right, contains essays on place, particularly the Pacific Northwest. Usually I remember purchasing a book or that it was a gift (and from whom), but this one is a mystery. The Pacific Northwest beckons me as a possible place to live in retirement, whenever that happens. Thus it caught my eye.

The next five books are poetry, three of which were written by the too-soon departed Andrea Gibson, and the last book by Maggie Smith, who is unknown to me, except for the poem "Good Bones". 

Women Who Run With the Wolves has been on my shelf for the past decade. I started it when I bought it, but it didn't hold my attention. Ten years ago my mental energy was devoted to mothering an eight-year-old, and it wasn't the right moment. This year my child is graduating high school and headed to college; it's time to explore the Wild Woman and give her more room to live. I found this critique fascinating and have offered a gift link: The Wild Woman Awakens.

The other tome in the stack is a memoir (one of my favored genres): A Walk in the Park: The True Story of A Spectacular Misadventure in the Grand Canyon. This book also offers another feature of books I enjoy reading: misadventures, particularly ones related to nature and national parks. Thankfully no one dies in this story, as far as I can tell.

Lastly, I was given three books for art exploration. Last year I began playing with watercolor paint. When paint is of good quality, it is delicious to use. I'm looking forward to exploring and learning its ways.

Do you have a stack of books you look forward to reading this year? Leave a comment if you'd like to share. 

Monday, July 14, 2025

NPR Tiny Desk Contest 2023 - Andrea Gibson - MAGA HAT IN THE CHEMO ROOM

 
 
Andrea Gibson's brilliant force has departed their body. They were a beacon of courage and compassion communicated through poetry. I mourn our loss. May their brilliance and love manifest forever. 
 
 

Friday, June 20, 2025

Comes And Goes (In Waves)


This one's for the lonely, the one's that seek and findOnly to be let down, time after timeThis one's for the torn down, the experts at the fallCome on friends, get up now, you're not alone at all
Oh, oh, oh, oh, oh, oh, ohOh, oh, oh, oh, oh, oh, oh
And this part was for her and this part was for her
This part was for her, does she remember?
It comes and goes in waves, I
This one's for the faithless, the ones that are surprisedThey're only where they are now, regardless of their fightThis one's for believing, if only for its sakeCome on friends, get up now, love is to be made
Oh, oh, oh, oh, oh, ohOh, oh, oh, oh, oh, oh, oh
And this part was for her and this part was for herThis part was for her, does she remember?
It comes and goes in waves, IAm only led to wonder whyIt comes and goes in waves, IAm only led to wonder whyWhy I try
This is for the ones who standFor the ones who try againFor the ones who need a handFor the ones who think they can
It comes and goes in waves, IAm only led to wonder whyIt comes and goes in waves, IAm only led to wonder whyWhy I fly

Saturday, April 19, 2025

Making a Mark

“I always had hopes of being a big star. But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you’ve made a mark on the world if you just get through it, and a few people remember your name. Then you’ve left a mark. You don’t have to bend the whole world. I think it’s better to just enjoy it.”

--Dorian Corey

Tuesday, March 18, 2025

Practice, Practice, Practice

"The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something." 

- Kurt Vonnegut