Thursday, February 05, 2026

Our Life's Prayer

Our Life’s Prayer

Carnal syrup which flows within,
why not make it art?
It has been spilled
enough to fill
the gloomy pit of Tartarus.
Ferry to us the draught of life.
Preserve us from dissolution,
for our gene codes fight dauntlessly,
against this.
Be not used to segregate others,
for humanity is one tribe.
Thou are the mystery, the
sinew, and the richness
that makes our lives worth living. Yes.

-Kathryn Harper 

This poem was written using a style called ekphrasis. The photograph is of a piece by RenĂ© de Guzman and is titled Blood Color Theory. His artworks allude to current issues such as the HIV/AIDS crisis in the early 1990s. In this piece, de Guzman sandwiched his own blood, mixed with preservatives, between two Plexiglass sheets. The work's impact lies partly in the shock value to convey the message, and the work takes on the formal qualities of a minimalist painting. What I find intriguing are the images reflected. This poem, which echoes The Lord's Prayer, is the result. 

Wednesday, February 04, 2026

A Glimpse of My Youth

 

A Glimpse of My Youth 

Tangles of Virginia creeper drape over
the pool, a shimmering gasoline puddle
of Japanese beetles.

I am sodden in my second skin bathing suit
sprawled on the ground murmuring secrets
to cicadas,

watching my father wash lettuce
from the garden. 

Gajumaru (Acoustic)

(ohhh, ohhh woho, ohhh, ohhh woho)

Creating concrete visions of a macrocosmic prism with a brilliant optimism and appropriate ambition
To be open from the center redirected to the moment
This is it love, this is it love, unrestrainable nature
We can change it from the edges, we can challenge all our borders
There is always a new leader, there is always a new order
Our pathway is proceeding and the way is always changing
We are free from what prevents us to realise our destination
(ohhh, ohhh woho, ohhh, ohhh woho)

Free, from all old stories I've been told, I walk through the valley of my own shadow
Free, from all old stories I've been told, I walk through the valley of my own shadow

Awareness is my virtue and I'm grateful for the search to
Dive deep within my own mind and to trust the intuition of the lives I've lived before this are essential form of gnosis it's a simple form of freedom it's as smooth as inhalation, oh the exhale is releasing all the tension I've been feeling, on the surface and beneath me I'm connecting to my spirit, and I'm here now right before you, I am present in this moment, my life's work is to honour the great beauty all around you
(ohhh, ohhh woho, ohhh, ohhh woho)

Free from all old stories I've been told, I walk through the valley of my own shadow
Free from all old stories I've been told, I walk through the valley of my own shadow
(ooooh, yeah, ohhh, ohhh)

Creating concrete visions of a macrocosmic prism with a brilliant optimism and appropriate ambition
To be open from the center redirected to the moment
This is it love, this is it love, unrestrainable nature

This is it love
This is it love
This is it love
This is it love

Tuesday, February 03, 2026

When I Go Into the Woods

  

When I Go Into the Woods

When I go to the woods
I bring no books along
preferring instead to read
the primary sources:

the opinion columns of pines
persuasive essays by incense cedars
an array of novels from oak trees.
Quaking aspens are poetry of light
and movement.

There is philosophy in fallen logs.
I study the hieroglyphs of former
wildfires to glean memories
of the Before time.

Even dead trees have purpose
as nurseries for animals and plants;
the rhymes arising from them
are kissed by the wind,
then float away.

-Kathryn Harper

Monday, February 02, 2026

The Arcadian Wild - Wolves of the Revolution

There was blood in the airI was on all fours, screaming, "Life isn't fair"Break down these wallsAs their marksmen hit their marksAnd their cloaks of justice are only cloaks, after all

Born young and wildDon't let them cut your tailJust a pinch of salt in the wound, you'll be fineOne last lifeline, I'm hanging high

Stay awake, oh, from the wolves you run barefootWith their libellous venomous words, they shootPulled and panicked, the door is lockedAnd you're trapped inside of your own heartIt's a spectator sportJust play your partJust play your part

Born young and wildAnd don't let them cut your tailJust a pinch of salt in the wound, you'll be fineOne last lifeline, I'm hanging high

Born young and wildDon't let them cut your tailJust a pinch of salt in the wound, you'll be fineOne last lifeline, I'm hanging high

Sunday, February 01, 2026

Surreal

Surreal 
At the turn of the century
it is a long way down
to the mind's I. A treehouse
chronicles my journey to this
lost continent, which requires
the amber spyglass to navigate.
When I arrive I am barely a
shadow of a man. There is
snow falling on cedars; through
the woods I hear the single hound
wailing for her hometown. After
twenty years at Hull House, she
mourns for that bastard out of
Carolina who left her tender
at the bone. I wander through
trees toward her cries and find
her. My journey ends across the
river, past the canal town. Before
crossing over, I ask her for
directions. "I don't know," she
replies. "I'm a stranger here myself."

-Kathryn Harper

Another Cento poem. The titles:

  • Turn of the Century (Kurt Andersen)
  • A Long Way Down
  • The Mind's I: Fantasies and Reflections on Self and Soul
  • Treehouse Chronicles: One Man's Dream of a Life Aloft (S. Peter Lewis)
  • The Lost Continent: Travels in Small Town America
  • The Amber Spyglass
  • Shadow of a Man
  • Snow Falling on Cedars
  • Through the Woods (H.E. Bates)
  • The Single Hound (May Sarton)
  • Bastard Out of Carolina
  • Tender at the Bone: Growing Up at the Table
  • Canal Town
  • Crossing Over (Ruben Martinez)
  • I'm a Stranger Here Myself: Notes on Returning to America After 20 Years Away

Saturday, January 31, 2026

There’s Always Looking After

There’s Always Looking After

A tree is a guardian angel.

Trees talk to us, they
whisper stories and secrets,
slip us clues to universal mysteries.
Do you see the forest, or the trees?
Sap murmurs up the trunk in spring. Listen.
The apple falls (not far from the tree), its
crisp honey tang for the taking. Notice
how the air changes when you approach
a woods; the fresh, spicy scent of leaves
and needles performing their gift of tonglen.
Handle limbs gently. Despite their
coarseness, trees are benign as babies.

Autumn. My favorite elegy. Red orange yellow
each color a note, a symphony of glorious
death. Gaia’s last hurrah before hibernation.

Glorious death. The nativity of Jesus in
Bethlehem was honored by his parents, wise
shepherds, angels — even animals. But not
one tree except for the remnant serving
as his crib. Look what happened to him.
Whereas Buddha, under a Bodhi tree,
received the gift of enlightenment.

Beware. Trees are destroyers. When touched
by lightning (not an angel), in a rhumba
with the wind, trees release limbs as
geckos lose their tails. They surrender
responsibility, abandon stability,
crush what lies beneath. A shard
of wood thrown by a tornado can kill you.

How many angels are there? They number
more than all the leaves on all the trees
since Big Time began. Earth — head
of a pin on which all trees dance.
Those trees, they krunk in a hot minute.
We just don’t see them. They move so fast.

A baby is born. A sapling takes root.
As roots grow, her neurons multiply.
They amputated the tree in our yard
the other day. Am I going to die now?

A tree is a livin’ thin’, wif it’s own
varmintality, expressed by it’s shape,
texture, locashun, seasonal variashuns,
shade/sun alterashun, th’ emoshuns it
invokes in th’ obsarver, th’ memo’ies
it stimulates in th’ obsarver. A tree
lives as long as a hoomin, o’ longer,
an’ faces th’ elements day-in an’
day-out. To sacrifice a tree is a kind
of euthanasia. A tree thet yo’ plant
today will outlive yo’, an’ affeck other
hoomins in th’ future junerashuns… but
will only be thar IF yo’ an’ yer projuny
own th’ lan’ on which th’ tree thrives.
Own SOME lan’, somewhar, an’ put trees
on it, an’ viset an’ watch them grow.

The ancient forests of knowledge
hidden in dusky, musty library stacks
have become my land. My mind, my tree
of knowledge, thrives. It is all I have.
On this moonless night everything
telescopes, clarifies. Brightness erupts
from inky black. The dark night of the soul
is really a form of enlightenment.

I fall on my knees, praying to No God.
The god of no. I sway in the wind, yearning
to be struck, to plummet, to become the abyss
that annihilates, that looks into me. Oh,
the ecstasy of descent! I cry for it.

Mindful One, she thinks too much. She dwells
inside her head, sips the ink of books too
often. For all her lofty talk about meaning
and nature, she lives indoors, estranged.
Reconciliation is possible. The priest
intones, you are dust and to dust you shall
return. So it shall be. A reunion.

Yes! A gorgeous reunion. A gorgeous death.
It shall be as it is, unless it is as it shall
be. Remember, nascentes morimur. The voice is
relentless, paralyzing. Death, inevitable from
the beginning of my existence. My destiny, our
destiny, is to become nothing.

Not so, whisper the trees. Willow weeps over my
rigid despair. A pine tree caresses my hair.
You do not become nothing. You become everything.

The body becomes a corpse. The corpse rots, feeds
maggots and beetles, enriches the soil. A squirrel
foraging embeds a nut, forgets it. The nut germinates.
A sapling grows, slowly. Outside of time. Watching over.
Witnessing the Mystery. There’s always looking after.

-Kathryn Harper

I wrote this poem 20 years ago, following this exercise from The Practice of Poetry:

This exercise comes from page 119 of The Practice of Poetry: Writing Exercises From Poets Who Teach, edited by Robin Behn and Chase Twichell. The goal of the exercise is to write a poem that includes these twenty suggesetions:
  1. Begin the poem with a metaphor.
  2. Say something specific but utterly preposterous.
  3. Use at least one image for each of the five senses, either in succession or scattered randomly throughout the poem.
  4. Use one example of synesthesia.
  5. Use the proper name of a person and the proper name of a place.
  6. Contradict something you said earlier in the poem.
  7. Change direction or digress from the last thing you said.
  8. Use a word (slang?) you've never seen in a poem.
  9. Use an example of false cause-effect logic.
  10. Use a piece of "talk" you've actually heard (preferably in dialect and/or which you don't understand).
  11. Create a metaphor using the following construction: "The (adjective) (concrete noun) of (abstract noun) . . . ."
  12. Use an image in such a way as to reverse its usual associative qualities.
  13. Make the persona in the poem do something he/she would not do in "real life."
  14. Refer to yourself by nickname and in the third person.
  15. Write in the future tense, such that part of the poem seems to be a prediction.
  16. Modify a noun with an unlikely adjective.
  17. Make a declarative assertion that sounds convincing but that finally makes no sense.
  18. Use a phrase from a language other than English.
  19. Make a nonhuman object say or do something human (personification).
  20. Close the poem with a vivid image that makes no statement, but that "echoes" an image from earlier in the poem. 

Moontricks - Mountains

High
High
High
High
I've got mountains
But it's weighing down on me
I can't count them
And they just won't let me be
Let me be free
Let me be free
Let me be free
Let me be free
High
(Let me be free)
High
(Let me be free)
High
(Let me be free)
High
I've got a cold mind
And it locks without a key
Yet I'm still tryin
Open up and let it be
Let me be free
Let me be free
Let me be free
Let me be
Let me be free
Let me be
Let me be free
Let me be

source: https://lyricsondemand.com/moontricks/mountains

Friday, January 30, 2026

Full Circle

 
Full Circle

You held your infant daughter
in your arms
agonizing, cajoling,
willing your love to her.
This baby expected
perfection--
that you read her mind
and provide
every need, every want.
Sometimes that infant
arises now,
and your daughter rails
against you
for not possessing omniscience.

You jiggled your toddler daughter
on your lap
as she laughed,
singing to her,
calling her your "little Punkin."
This half-pint drank
your love
as a thirsty babe
guzzles the milk of life into every cell.
Sometimes that toddler
gazes now
with adoration for her infinite
mother
content and whole in her trust.

You watched your teenage daughter
from afar
as she brooded,
wishing her victory
over that devil called depression.
This young woman envied
your detachment
and accused you
of confusing her
and burdening her beyond control.
Sometimes that girl-woman
rages now
crying, wondering where
you hid
your secret fountain of peace.

You love your grown daughter
with all your life
as she strives,
reaching to her
with the gift of friendship.
This woman recognizes
your humanity
and gently removes you
from the pedestal
to a place in her heart.
Sometimes this woman
perceives now
that though we are family
we can meet
somewhere in the middle. 

-Kathryn Harper

Thursday, January 29, 2026

KONGOS - Come with Me Now


Come with me now
Come with me now

Whoa, come with me now
I'm gonna take you down
Whoa, come with me now
I'm gonna show you how

Whoa, come with me now
I'm gonna take you down
Whoa, come with me now
I'm gonna show you how

Afraid to lose control
And caught up in this world
I've wasted time, I've wasted breath
I think I've thought myself to death

I was born without this fear
Now only this seems clear
I need to move, I need to fight
I need to lose myself tonight

Whoa, come with me now
I'm gonna take you down
Whoa, come with me now
I'm gonna show you how

I think with my heart and I move with my head
I open my mouth and it's something I've read
I stood at this door before, I'm told
But a part of me knows that I'm growing too old

Confused what I thought with something I felt
Confuse what I feel with something that's real
I tried to sell my soul last night
Funny, he wouldn't even take a bite

Far away
I heard him say (come with me now)
Don't delay
I heard him say (come with me now)

Far away
I heard him say (come with me now)
Don't delay
I heard him say (come with me now)

Whoa, come with me now
I'm gonna take you down
Whoa, come with me now
I'm gonna show you how

Afraid to lose control
And caught up in this world
I've wasted time, I've wasted breath
I think I've thought myself to death

I was born without this fear
Now only this seems clear
I need to move, I need to fight
I need to lose myself tonight

Whoa, come with me now

Whoa, come with me now
I'm gonna take you down
Whoa, come with me now